Máquinas de fabricação de tijolos e máquinas de ladrilhos chinesas Jornada de desenvolvimento

Tijolo e telha é um produto natural da integração do solo, agua, ar e fogo. Tem origem na natureza, sublima no fogo, cresce na colisão cultural, é brilhante em arquitetura, prega na experiência do Milênio, acumula a cultura do desenvolvimento histórico humano, e é o portador da vitalidade cultural. Chinese bricks and tiles were born 5000 years ago, which witnessed the production and life, social changes and the rise and fall of artistic ideas in China, formed China’s inherent “brick and tile culture” characteristics, created many great wonders of human architectural civilization, and left brilliant excellent historical and cultural footprints.

A grande muralha da China nos tempos antigos tem uma história de mais de 2000 anos. Ainda permanece na terra da China através do vento e da chuva. Tornou-se um monumento histórico imortal da nação chinesa e o orgulho da civilização humana. É como uma enciclopédia contendo a história e a civilização da nação chinesa por mais de 2000 anos, carregando a importante tarefa de herdar a história e a cultura. Muitos anos depois, a Grande Muralha ainda se ergue orgulhosamente. Anos dão beleza implícita. Através da Grande Muralha, podemos explorar a conotação cultural oculta da política, economia, militares, literatura, estética, costumes populares, arquitetura e outros aspectos.

We are shocked by the magnificent momentum of the Great Wall, but often ignore the important carrier of the beautiful landscape of the Great Wall – Qin brick. It is the quality of Qin brick that makes the beauty of the great wall and the beauty of Chinese architecture. In ancient China, the production of bricks and tiles experienced a series of changes. During the Xia, Shang and Zhou dynasties, the second technological revolution of bricks was completed under the auspices of the “hundred workers” and the production of big artisans. After the Qin and Han Dynasties, the centralized “Sikong” organization was in charge of it, and the production of bricks and tiles was gradually standardized by the special official kiln workshops. The legal restriction of “Wu Le Gong Ming” has achieved the quality of bricks and tiles, created a miracle of Chinese architecture, and continued the inheritance of Chinese traditional culture. Today, whenever we go to Xi’an and Nanjing, looking at the ancient bricks and tiles with weathered traces but more historical marks, “memory”, “homesickness” and other words arise spontaneously. I really feel history, culture and life. From ancient times to the present, from south to north, Chinese bricks and tiles have gone through the civilized journey of China and become an important part of the splendid culture of ancient China. Without “Qin bricks and Han tiles”, there would be no great wall. Of course, if we look at the world without bricks and tiles, there will be no ancient Roman capital and brick city in London. We will not have the opportunity to appreciate the classic “0 ° longitude” of the Greenwich Observatory, and we will not have the opportunity to listen to Mo Yan and Tu youyou’s acceptance speeches in the temple of Stockholm hall. We yearn for the Colosseum in ancient Rome, but we don’t know that the cultural heritage of this ancient building is highlighted from bricks and tiles. Bricks and tiles record the lives of ancient Roman nobles and civilians, their activities, their laws, and restore the glory of ancient Rome for us. Perhaps there are some differences in the forms of expression of bricks and tiles due to different nationalities and regions, but it is precisely because of this difference that distinctive national and local colors are formed. Portanto, bricks and tiles are the intuitive inheritance carrier and form of expression of traditional culture and national characteristics, and have infinite cultural vitality.