中国のレンガ製造機とタイル製造機の開発の旅

レンガとタイルは土の統合の自然な産物です, 水, 空気と火. それは自然に由来する, 火の中で昇華する, 文化的衝突の中で成長する, 建築に優れている, 千年紀の経験で説教する, 人類の歴史的発展の文化を蓄積する, 文化的活力の担い手です. Chinese bricks and tiles were born 5000 years ago, which witnessed the production and life, social changes and the rise and fall of artistic ideas in China, formed China’s inherent “brick and tile culture” characteristics, created many great wonders of human architectural civilization, and left brilliant excellent historical and cultural footprints.

古代の中国の万里の長城には多くの歴史があります 2000 年. 風雨の中、今も中国の大地に佇む. それは中華民族の不滅の歴史的建造物であり、人類文明の誇りとなっています. それは、中華民族の歴史と文明を含む百科事典のようなものです。 2000 年, 歴史と文化を継承するという重要な使命を担っています. 何年も経って, 万里の長城は今も誇らしげに立っています. 何年も経つと暗黙の美が生まれる. 万里の長城を通して, 政治の隠された文化的含意を探求することができます, 経済, 軍隊, 文学, 美学, 民俗, アーキテクチャおよびその他の側面.

We are shocked by the magnificent momentum of the Great Wall, but often ignore the important carrier of the beautiful landscape of the Great Wall – Qin brick. It is the quality of Qin brick that makes the beauty of the great wall and the beauty of Chinese architecture. In ancient China, the production of bricks and tiles experienced a series of changes. During the Xia, Shang and Zhou dynasties, the second technological revolution of bricks was completed under the auspices of the “hundred workers” and the production of big artisans. After the Qin and Han Dynasties, the centralized “Sikong” organization was in charge of it, and the production of bricks and tiles was gradually standardized by the special official kiln workshops. The legal restriction of “Wu Le Gong Ming” has achieved the quality of bricks and tiles, created a miracle of Chinese architecture, and continued the inheritance of Chinese traditional culture. Today, whenever we go to Xi’an and Nanjing, looking at the ancient bricks and tiles with weathered traces but more historical marks, “memory”, “homesickness” and other words arise spontaneously. I really feel history, culture and life. From ancient times to the present, from south to north, Chinese bricks and tiles have gone through the civilized journey of China and become an important part of the splendid culture of ancient China. Without “Qin bricks and Han tiles”, there would be no great wall. Of course, if we look at the world without bricks and tiles, there will be no ancient Roman capital and brick city in London. We will not have the opportunity to appreciate the classic “0 ° longitude” of the Greenwich Observatory, and we will not have the opportunity to listen to Mo Yan and Tu youyou’s acceptance speeches in the temple of Stockholm hall. We yearn for the Colosseum in ancient Rome, but we don’t know that the cultural heritage of this ancient building is highlighted from bricks and tiles. Bricks and tiles record the lives of ancient Roman nobles and civilians, their activities, their laws, and restore the glory of ancient Rome for us. Perhaps there are some differences in the forms of expression of bricks and tiles due to different nationalities and regions, but it is precisely because of this difference that distinctive national and local colors are formed. したがって, bricks and tiles are the intuitive inheritance carrier and form of expression of traditional culture and national characteristics, and have infinite cultural vitality.